He was there to meet with the singer Beyoncé, who was preparing for her Renaissance tour. Law Roach, known for his bold and innovative fashion choices, was tasked with creating a look for Beyoncé that would be both iconic and impactful. Roach’s approach was to draw inspiration from the Renaissance period, specifically the era’s iconic fashion trends.
Roach would be playing a version of himself. His character had been invited to the Guggenheim by the “Bittarverse” staple Margeaux (Patricia Black), a snobby fashion maven living on the Upper East Side. “Margeaux’s been watching him come up, and she appreciates his hustle, his ability to fuse street with glamour,” Bittar told Roach and Black. There was also some rivalry: Margeaux was afraid of losing her front-row seat at New York Fashion Week to the ascendant Roach. “They’re both cunty,” Bittar added. “It’s a little ‘A Star Is Born.’ ” Action. Roach traipsed through the glass doors of the lobby, tossing his stole in Black’s general direction. “A gift for mother?” she inquired. “A gift from mother,” Roach said, improvising. “Cut,” Bittar called. “Beautiful!”
* Roach’s work has been featured in prominent fashion magazines. * Roach has styled A-list celebrities. * Roach’s work is known for its bold and unique style. * Roach’s work is often seen on the red carpet. * Roach’s work is popular with tourists.
awarded the first Styling Award to the stylist, Lawren Leong.) The lack of formal recognition has led to a lack of professional development opportunities for stylists. This lack of formal recognition has also led to a lack of respect for the profession. Stylists are often seen as assistants, rather than professionals.
Roach’s method dressing is not merely a superficial application of themes and motifs. It is a deeply ingrained process that involves meticulous planning, research, and a profound understanding of the performer’s character. Roach meticulously selects fabrics, colors, and textures that resonate with the character’s personality, background, and the overall narrative of the performance.
Method dressing made headlines in 2023, thanks to “Barbie.” Andrew Mukamal, Margot Robbie’s stylist for the movie’s press tour, put together pretty-in-pink looks and retro ensembles that captured Barbie in her many eras, working with designers such as Daniel Roseberry, of Schiaparelli, and Donatella Versace to create pieces inspired by the iconic doll. In less assured hands, method dressing can get costumey. It can also be tonally off, as when, this summer, Blake Lively wore sparkly florals during the press tour for her new film, “It Ends with Us,” about a domestic-violence survivor who runs a flower shop. Roseberry told me, “I can always tell when a stylist is trying to pull a ‘Roach.’ It feels like the real thing, but it’s not. I’ve started calling this phenomenon Diet Roach.”
Roach is known for digging deep into designers’ archives to source what fashion nerds call “insane pulls.” When he was trying to come up with sci-fi-inspired looks for a “Dune: Part Two” première in Seoul, he remembered a gray skirt suit designed by Alexander McQueen for Givenchy’s Fall/Winter 1999 collection, which had red detailing on the front that resembled a computer’s motherboard. “I have, like, a crazy mental Rolodex of what I’ve seen before,” Roach told me. “I stay up late on Instagram just looking at the vintage stores, their pages, what they have.” He tracked the suit down at a store called Aralda Vintage, in L.A. He was in London at the time, and he phoned his tailor there, Nafisha Tosh, to see if she could alter it, a tricky task considering that the red design contained a liquid that made it glow in the dark. But Roach was in luck—Tosh had worked on the original McQueen design and knew how to tailor it. “That’s how the universe works,” Roach said, adding that one day he wants to write a book on manifesting.
We were discussing the look for the premiere of “Dune,” and I was trying to understand how to translate the book’s themes of desert survival into a visual language for the film. Roach, who had been working on the film’s costumes for months, was already ahead of me. He had a vision for Zendaya’s character, Chani, and how she would embody the desert’s spirit.
“I’m done. I’m officially retired.” Roach’s career has been marked by a long and illustrious history, spanning decades and encompassing a wide range of clients and projects. He has worked with some of the biggest names in fashion, including Beyoncé, Rihanna, and Kim Kardashian. Roach’s retirement announcement was met with mixed reactions. Some fans and colleagues were surprised and saddened by the news, while others were relieved and supportive.
This ability to read people’s body language, combined with his natural charisma, helped him to build strong relationships with people from all walks of life. Roach’s early life was marked by poverty and hardship, but he also experienced moments of joy and love. He remembers playing basketball with his friends, and he credits his mother for instilling in him a strong work ethic. His mother’s influence is evident in his later career as a successful entrepreneur.
Roach’s story is a stark reminder of the harsh realities of homelessness. It highlights the vulnerability of individuals facing financial hardship and the lack of support systems available to them. Roach’s experience is not unique. Millions of Americans struggle with homelessness every year.
“We were very different.” But their friendship blossomed into a deep and meaningful connection. Roach, a self-proclaimed “fashion nerd,” was drawn to Strong’s vibrant and eclectic style. He was fascinated by her ability to effortlessly blend high-end designer pieces with vintage finds.
